| Haitian Artists |
Aladin, Agathe
Aladin, Theard
Alphonse, Fritzner
Auguste, Toussaint
Bottex, S.E.
Casimir, Laurent
Desrosiers, M.
Domond, Ezene
Domond, Wilmino
Dupoux, Raoul
Etienne, Gregoire
Francois, Roger
Guillaume, Jean-Jacques
Ismael, Saincilus
Jacques, Harry (dit Arijac)
Jean, Jean-Baptiste
Jean, Marie Carmel
Jean, Ulrick
Jean-Jacques, Carlo
Jose, Hilome
Joseph, Reynald
Leopol, Lindor
Louissaint, Jacques
Louizor, Ernst
Maurice, A.M.
Obin, Fritzner
Obin, Othon
Pierre, André
Pierre, Eddy
Robuste, Jean Claude
St. Fleur, Michelle
Valcin, Pierre Joseph
Valery, Julien
Zephirin, Frantz
All Artists
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A.M. Maurice
A.M. Maurice--a painter who was also the director of a school and a
businessman--was born in the 1950s. He lived with his large family in his
native Petite-Riviere de l'Artibonite. Due to his many other
responsibilities, Maurice's painting time was limited. He was meticulous
in his work, and spent a good deal of time on each painting.
In 2000, A.M. Maurice became sick. His condition deteriorated rapidly, and
he died.
Publications:
Demme, Jonathan. Island on Fire. 1997. pg. 184.
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Haiti Crucifiee, c. 1991
24 x 28 inches, Acrylic on Canvas, Framed $3,500
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Haiti Crucifiee was one of 25 Haitian paintings from this collection
that were exhibited in the show Life in Bold Colors at Sonoma State University
in 2007. |
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The meanings of the symbols seen in the above painting were explained
as follows by Marie Coine Kravitz, the wife of Boris Kravitz (owner of the
Haitian Art Company in Key West, Florida) and the daughter of the Haitian
artist Theard Aladin:
The setting is dictator Francois "Papa Doc" Duvallier's sacrificial
altar outside the National Palace in Port-au-Prince. Papa Doc--shown
wearing his customary dark glasses--"practiced magic"; the flame in the lower
left represents his religion. The blue and red body nailed to the
cross--those being the colors of the traditional Haitian flag--represents the
people of Haiti. (Papa Doc replaced the blue and red flag with a black
and red one, as seen in the upper left.) Papa Doc's son and successor,
Jean-Claude "Baby Doc" Duvallier, stands behind him. The two snakes
represent how the Duvalliers treated the people of Haiti. Papa Doc's
snake squeezes the Haitian people and sucks their blood; Baby Doc's snake in
turn sucks that blood from his father's cup. The skeletal figures behind
the Duvalliers represent the members of their regime; lacking their own
strength, "they are already dead."
Papa Doc's black and red flag flies from a palm tree--a symbol of
freedom and liberty--suggesting that freedom and liberty will grow again in
Haiti. Maurice has also added a slogan and a bird sitting on a "lanbi"
(conch shell) to the flag. The lanbi is the symbol of the Haitian
Revolution, which Maurice shows as being "put on the bottom" by the
Duvalliers. The bird sitting on the lanbi--a "pentad" (guinea fowl)--is a
passive breed without a sense of responsibility; it will fly away, abandoning
its newly hatched young. The slogan added to the flag essentially calls
for freedom fighters to rise up and battle the Duvallier regime.
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Mariage Forcé, c. 1999
24 x 20 inches, Acrylic on Canvas, Framed SOLD
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Mariage Forcé was one of 25 Haitian paintings from this collection
that were exhibited in the show Life in Bold Colors at Sonoma State University
in 2007. |
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Wedding Ceremony, c. 1998
24 x 20 inches, Acrylic on Canvas, Framed $2,500
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Wedding Ceremony was one of 25 Haitian paintings from this collection
that were exhibited in the show Life in Bold Colors at Sonoma State University
in 2007. |
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